![](https://jacksonlin.net/wp-content/uploads/2018/08/ND-filter.jpg)
說到ND減光鏡,並不是什麼新奇的東西,但這東西所存在的型態,在未來或許會有不小改變,「ND整合」可能將是無反必爭之地…
![](https://jacksonlin.net/wp-content/uploads/2021/09/gfx100-vs-gfx100s-768x383.jpeg)
更新後將可支援輸出RAW至Video Assist 12G等外部擷取器……
![](https://jacksonlin.net/wp-content/uploads/2021/09/RED-V-RAPTOR-Sensor-1536x810-1-768x405.jpeg)
採用了全新CFexpress儲存規格、RF的鏡頭接口,這一款KOMODO的大哥大為RED揭開了新篇章…
![](https://jacksonlin.net/wp-content/uploads/2021/07/Sony-ZV-E10-cover-768x432.jpg)
繼ZV-1發表一年之後,SONY針對影音實況主推出了E-Mount可換鏡頭的產品…
![](https://jacksonlin.net/wp-content/uploads/2021/06/gh5s-prores-raw-ninja-v.jpg)
無需付費升級,可輸出最高DCI 4K 60fps ProRes RAW的影音給予Ninja V或Ninja V+……
![](https://jacksonlin.net/wp-content/uploads/2021/05/GH6-e1622003276538-768x432.jpg)
在專業設備平價化趨勢下,M4/3系統的立足空間更加被壓縮,光要靠「格式」打贏這場戰爭實不容易。
![](https://jacksonlin.net/wp-content/uploads/2021/05/Canon_Cinema_EOS-768x432.jpeg)
除了畫素規格的演進,也將動態範圍捕捉能力,帶到了另一個境界。
![](https://jacksonlin.net/wp-content/uploads/2021/04/Ninja-line-up_APRIL2021-768x443.jpeg)
ProRes RAW再解鎖成就,但這次推動新產品的動能恐怕不會是8K…
![](https://jacksonlin.net/wp-content/uploads/2021/04/ninja-v.png)
因應各類4K專案的製作需求,ProRes RAW的需求與標準皆逐漸提高…
![](https://jacksonlin.net/wp-content/uploads/2021/02/Sony-a7S-III-3-1300x750-1-768x443.jpg)
FX3剛發表沒多久,SONY Cinema Line下放了規格,A7S III再次奪回了市場焦點…